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Lamentation - Raimondi Lamentation - Raimondi
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  • Lamentation - Raimondi
  • Lamentation - Raimondi
  • Lamentation - Raimondi

Lamentation - Raimondi

Item Code: oos57




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LAMENTATION - Ca 1520
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Details

LAMENTATION
 
The Virgin lamenting the dead Body of Christ; Virgin standing at centre with arms spread open above the dead body of Christ who lays on a low wall; after Raphael. c.1515-17 Engraving
 
Engraving by: Marcantonio Urbino
Design by: Raphael Urbino
Published by: Antonio Salamanca (1478-1563)
 
Reference:
Delaborde 1888 108.20
Bartsch XIV.40.35

 Marcantonio's authorship of the "Pietà with the bare arm" has been questioned. Marco de Ravenna has also been suggested (Nagler)

Slightly grey impression on Italian paper with circular watermark.
The publishers address of Antonio Salamanca partly erased.

Additional Information

SKU oos57
Picture Size 30,20 x 21,40 cm
Specification Print
technic Engraving
Artist Marcantonio
period 16th Century
School Italian
subject Religious
rating ***

Marcantonio (1470- 1534)

Marcantonio Raimondi,

Engraver; born in Argini (?). Pupil of Francesco Francia in Bologna. In Venice between c.1506-08, where he began engraving copies after Dürer, for which Dürer famously bought legal proceedings against him in 1506. Briefly visited Florence, then moved to Rome in c.1510-11, where he began his collaboration with Raphael. His earliest engraving after Raphael is probably 'Dido' of c.1510; it is from this date on that Raimondi primarily engraved the designs of Raphael and his circle. Crucially developed a systematic graphic vocabulary which could be easily taught. Founded a school of engravers including Marco Dente, Agostino dei Musi and Giovanni Jacopo Caraglio.

Inventor

Raphael Sanzio (1483–1520)

Raphael Sanziowas an Italian master painter and architect of the Florentine school in High Renaissance, celebrated for the perfection and grace of his paintings. He was also called Raffaello Sanzio, Raffaello Santi, Raffaello da Urbino or Rafael Sanzio da Urbino.Raphael was born in Urbino.[His father, Giovanni Santi, was also a painter in the court of Urbino. His first documented work was an altarpiece for the church of San Nicola of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. It was ordered in 1500 and finished in 1501 Moving to Florence when he was around 20, he was exposed to Leonardo da Vinci, and to Michelangelo, just eight years his senior, "with whom he later had a stormy and competitive relationship." (Leonardo died in 1519, one year before Raphael, but Michelangelo lived until 1564.) Raphael's time in Florence was very productive and the influences of Leonardo and Michelangelo (who were working on the Mona Lisa and David, respectively, at the time) is unmistakeable. At the end of 1508, he moved to Rome and was immediately commissioned by Julius II to paint some of the rooms at his palace at the Vatican. In 1514 he was named architect of the new St Peter's

Printmaking Raphael made no prints himself, but entered into a collaboration with Marcantonio Raimondi to produce engravings to Raphael's designs, which created many of the most famous Italian prints of the century, and was important in the rise of the reproductive print. A total of about fifty prints were made; some were copies of Raphael's paintings, but other designs were apparently created only to be made into prints. Raphael made preparatory drawings, many of which survive, for Raimondi to translate into engraving. The two most famous original prints to result from the collaboration were Lucretia and The Massacre of the Innocents. Outside Italy, reproductive prints by Raimondi and others were the main way that Raphael's art was experienced.

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