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Delvaux - Le Forret - 1971Delvaux - Le Forret - 1971
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  • Delvaux - Le Forret - 1971
  • Delvaux - Le Forret - 1971
  • Delvaux - Le Forret - 1971
  • Delvaux - Le Forret - 1971

Delvaux - Le Forret - 1971

Item Code: xxbf66




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Delvaux - Le Forret
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Details

PAUL DELVAUX

LE FORRET
(The Forest)

Reference: Mira Jacob 43.
Litograph in black - June 1971
One state only.
Lithographic ink on zinc.
Date reversed on the plate, bottom left 6-71
This lithograph was created in 1971 and signed in 1973.

Original Hand Numbered Lithograph
Title: Paul Delvaux Oeuvre Grave 1966-1973
Technique: Original Lithograph on paper.
Paper size: 63 x 41.5 cm

This work is hand numbered "62/500" in pencil at the lower left margin.
It is also dated in the plate “6-71” (June 1971) at the lower left part T
he work was printed in a limited edition of 500 hand numbered Impressions in 1971 by the famous French printer Mourlot.
The work was made for a special exhibition at Galleri Ostergard, Svalov Sweden.

There are also 75 signed numbered proofs besides the edition of 500.

Provenance: Galleri Ostergard, Svalov Sweden.
Literature: Jacob, Mira, Paul Delvaux Graphic Work. Publisher, Rizzoli, New York 1976. 
Condition: Excellent Condition.

Additional Information

SKU xxbf66
Picture Size 41 cm x 30 cm
Specification Print
technic Lithograph
Artist Paul Delvaux
period 20th Century
School Belgian
subject Nudes and Statues
rating ***

Paul Delvaux (Antheit, Belgium, 1897 - Fumes, Belgium, 1994)

DelvauxA Belgian painter of international fame, Paul Delvaux is considered one of the great masters of Surrealism, alongside Dali and Magritte.

His style, almost academic, stands in contrast to his interest in mysterious and dream-like themes. His pieces often depict women in an unsettling atmosphere marked by a certain eroticism. At the age of twenty one, Delvaux entered the Academy of Fine Arts in Brussels, where he was later professor. He started his career almost exclusively painting landscapes and later practiced a kind of impressionist realism. In the 30s and 40s his work left behind the earlier Flemish influences as he began to participate in Surrealist exhibitions, greatly influenced by De Chirico and Rene Magritte.

Because of his declining eyesight, Paul Delvaux stopped painting in 1986, and celebrated his great retrospective exhibition in Paris in 1992.

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