Menu

Heemskerck - Good SamaritanHeemskerck - Good Samaritan
Click to enlarge

More Views

  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan
  • Heemskerck - Good Samaritan

Heemskerck - Good Samaritan

Item Code: BU9-12




Quick Overview

Bookmark and Share
Heemskerck - Good Samaritan

Details

HEEMSKERCK- CHRIST AS THE GOOD SAMARITAN - 1565

A series of four numbered plates by Muller after Heemskerck (New Hollstein 445-448).

  1. A man is being attacked by Desire, Lust and Error; the three figures are labelled 'Cupido', 'Voluptas' and 'Error'; the winged Cupido is blindfolded and raises a sword to strike the prone man
  2. Moses and Aaron leaving the wounded man to fend for himself
  3. The wounded man healed by Christ's blood
  4. The man finding salvation in the church of Christ'.

 Reference:
New Hollstein (Dutch & Flemish) 445-448 (Maarten van Heemskerck)
New Hollstein (Dutch & Flemish) 63-66 (The Muller Dynasty (Harmen Jansz Muller)

Lettered below right in plate 1:  "MHeemskerk In". Numbered below right "1". In the margin "CÆCA CUPIDO ... VIRO" and "Hadr Jun".
The text line verse is by Adriaan de Jonghe. Dated 1565 on plate two.

This is a creative way to show a biblical story but involving depictions of Cupido, Voluptas and Error we would expect in a more mythologic context.

The British Museum only holds one plate of the series.
Rare as a complete set.

Additional Information

SKU BU9-12
Picture Size 20,4 x 24,70 cm
Specification Print
technic Engraving
Artist Harmen Jansz Muller
period 16th Century
School Dutch
subject Religious
rating ****

HARMEN JANSZ. MULLER (1540-1617

 Worked as an engraver, first for Antwerp publishers like Gerard de Jode and Hieronymus Cock and from designs by a variety of artists. Until the co-operation with his son Jan, Harmen published a number of prints by himself and others. During the 1590s his son Jan Harmensz. Muller became a formidable rival to his teacher Hendrick Goltzius.

He became the engraver of choice for the most famous artists employed by Emperor Rudolf II at the court in Prague - Hans von Aachen, Bartholomeus Spranger and Adriaen de Vries.

Inventor

MAARTEN VAN HEEMSKERCK ( 1498 - 1574)

heemskerck

Painter and print designer; worked in Haarlem and Italy. Born in Heemskerck; son of a farmer. Trained in Haarlem under Jan van Scorel; in Italy 1532-6/7; later career in Haarlem, where one of the richest citizens. Prolific designer of compositions for prints, almost all made by others. Artists who engraved after his designs include Dirk Coornhert (c.1547-59), Philips Galle (from 1559), Cornelis Bos, Theodoor de Bry

Maerten van Heemskerck was born in Heemskerck, from where he took his name. According to his biographer Van Mander, the artist trained in Haarlem with Cornelis Willemsz. and continued his studies with Jan Lucasz. in Delft. Following the return of Jan van Scorel from Italy, Heemskerck is documented in that artist’s studio between 1527 and 1530. Van Scorel’s influence was extremely notable at this period.

Heemskerck belonged to the second generation of Dutch artists who travelled to Italy and he is documented in Rome in 1532. During his time there he studied the frescoes of Raphael and Michelangelo and produced numerous drawings of sculptures, views of cities and classical ruins. Michelangelo’s work impressed him profoundly and his influence is evident in the paintings that Heemskerck executed in Holland after his return. On his way back to Haarlem he probably visited Mantua, where he studied the work of Giulio Romano in the Palazzo del Tè.

In early 1537 Heemskerck was in Haarlem, working as an artist and occupying various positions in the guild of Saint Luke, of which he was dean in 1553 and 1554. He was married again, this time to a wealthy woman whose fortune brought him economic security and an elevated social position. Apart from a brief stay in Amsterdam, where he took refuge during the Spanish siege of Haarlem, Heemskerck spent the rest of his life there.

A fine portraitist, he also produced history paintings. Many of Heemskerck’s paintings were reproduced in prints and widely disseminated.

All the items are guaranteed to be originals and as described. 
A letter of authenticity is added by simple request.
Items may be returned within 15 days after arrival.
I ship worldwide and provide Insurance and other delivery options.

All items can be purchased instantly at the listed prices,
on reservation of errors in price or availibility..