Details
Pierre Alechinsky
IMMOBILE ROUILLE, 1950
Original litograph
This is an early work in the Oeuvre of the artist published when he was only 23 years old and dating from the first years of the Cobra movement. This is the original litho as published in the sought after revue Cobra.
Condition: Excellent
Additional Information
| SKU | xxbf81 |
|---|---|
| Picture Size | 30 cm x 22 cm |
| Specification | |
| technic | Lithograph |
| Artist | Pierre Alechinsky |
| period | 20th Century |
| School | Belgian |
| subject | Other |
| rating | ** |
Pierre Alechinsky, Belgian (1927- )
Pierre Alechinsky was born in Brussels, In 1945 he discovered the work of Henri Michaux, Jean Dubuffet and developed a friendship with the art critic Jacques Putman. In 1949 he joined Christian Dotremont, Karel Appel and Asger Jorn to form the art group Cobra.He was one of the founders of the CoBrA group (Copenhagen, Brussels, Amsterdam) whose dedication to primitive form and often violent strokes of color paralleled the American abstract expressionist movement.The group was formed as a reaction to the formal, refined art popular in other European cities immediately after World War II. The artist's style, anguished during the CoBrA period, softened perceptibly as acceptance for his art grew, but it remains strongly expressionistic. He is particularly adept at achieving subtleties and intensities of color in the lithographic process.
He participated both the Cobra exhibitions and went to Paris to study engraving with Stanley William Hayter in 1951. In 1954 he had his first exhibition in Paris and started to become interested in oriental calligraphy.
By 1960 he had exhibited in London, Berne and at the Venice Biennial, and then in Pittsburg, New York, Amsterdam and Silkeborg as his international reputation grew. he worked with Wallace Ting and continued to be close to Christian Dotremont. He also developed links with Andre Breton. His international career continued throughout the seventies and by 1983 he became Professor of painting at the Ecole nationale supérieure des Beaux-Arts, Paris
He participated both the Cobra exhibitions and went to Paris to study engraving with Stanley William Hayter in 1951. In 1954 he had his first exhibition in Paris and started to become interested in oriental calligraphy.
By 1960 he had exhibited in London, Berne and at the Venice Biennial, and then in Pittsburg, New York, Amsterdam and Silkeborg as his international reputation grew. he worked with Wallace Ting and continued to be close to Christian Dotremont. He also developed links with Andre Breton. His international career continued throughout the seventies and by 1983 he became Professor of painting at the Ecole nationale supérieure des Beaux-Arts, Paris
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